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[Áß°í] 2004 p186 |
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[Áß°í]2004 p224
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15¸íÀÇ Çö´ë ¹Ì¼ú°¡µé¿¡°Ô ¹ÙÄ¡´Â È°¡ Á¤Àº¹ÌÀÇ ¿À¸¶ÁÖ. ¹Ì¼ú°¡µéÀÌ ÆÄÆ®³Ê¿ÍÀÇ °ü°è ¼Ó¿¡¼ ¾ò°Ô µÈ ±×¸², ±×¸®°í ±×µéÀÇ °ü°è¿¡¼ ¿µ°¨À» ¾ò¾î ź»ýÇÑ È°¡ Á¤Àº¹ÌÀÇ ±×¸²ÀÌ °øÁ¸ÇÏ´Â, '°ü°è'¸¦ ¸»ÇÏ´Â ¹Ì¼ú ¿¡¼¼ÀÌ.
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[Áß°í] 2000 348p. Ã¥¼Ò°³
±¹¸³Áß¾Ó¹Ú¹°°ü Çп¹¿¬±¸°üÀÌ Çѱ¹ÀüÅ뿹¼úÀÇ ¸íÇ°µéÀÌ Áö´Ñ ¾Æ¸§´Ù¿òÀÇ º»ÁúÀ» ¹Ì·ÁÇÑ ¹®Ã¼·Î Ç®¾î¾´ Ã¥ÀÌ´Ù. ¹®ÈÀç ÇÑ Á¡ ÇÑ Á¡À» ³õ°í ±¸Ã¼ÀûÀ¸·Î ±× ¹ÌÇÐÀ» Çؼ³ÇØ µé¾î°¡´Â, ½±°í ÀÚ»óÇÑ Çѱ¹¹Ì Çؼ³¼´Ù | |
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[Áß°í][¾çÀå]1998 p452
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Acknowledgments ix Introduction 1 (22) I Titles and the History of Art: Beginnings 1 (12) II Theories of Titling and Naming 13 (10) 1 Reckoning with the Title and Its Sites 23 (26) I Poetic Intensit... | |
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[Áß°í]2004 p352
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his book, the third in the Art of the Twentieth Century series, considers works of art produced in Europe and the United States between the 1930s and the 1960s. Arranged in four main parts, the abundantly illustrated... | |
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